Since the top and bottom heads of the drum are usually moving in directly opposing motion (when the top drum head is hit, it moves inward, causing the bottom head to move outward), the two mics will record signals that are directly out of phase. Consider even a single snare drum, miked from above and beneath.
In modern music recording, that usually points to the drum kit. Starlight Echo Station Starlight Echo StationĪstra Modulation Machine Astra Modulation MachineĤ-710d Four-Channel Tone-Blending Mic Preamp w/ Dynamics 4-710d Four-Channel Tone-Blending Mic Preamp w/ DynamicsĪbout Find a Dealer Downloads Blog Support Log InĪgain, the more microphones used in a recording, the more potential for phase problems. Packs such as Goldbaby's Dirt and Layers have cottoned on to this workflow and offer this approach in a useful pre-prepared format.Thunderbolt 2 Option Card Thunderbolt 2 Option Card Once your layering skills improve, it's great to have specific folders in your sample library dedicated to this layering task so you can quickly turn to 'Tops', 'Snap', 'Body' or 'Release' elements on the fly. Export the return track separately, then reimport and layer it with your source sound for even more editing and processing. Load up some crazy effects chains onto a return track, send a portion of your source sound's signal to that return, then experiment with plugin settings and effects. Sends and returns can be ideal for creative layering journeys. Again, keep a library of interesting beds and textures to draw from when designing your samples. It can add brightness to a snare, texture to a soundscape, or realistic 'glue' to stick sounds together. Whether it's recorded texture or basic white noise from a synth plugin, trusty noise comes into its own when mixing sound sources together.
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